"We’re at this interesting moment when prejudice is in the subconscious a lot of the time" - Lupito Nyong'o

Sunday, February 28, 2016
On new York times, Ms. Lupito Nyong’o and Trevor Noah, the host of “The Daily Show,” at the Dutch in SoHo discussed diversity, political oppression and the #OscarsSoWhite.  They discussed the subtler challenges of diversity, childhoods lived under oppressive governments but I am more concerned about the things, Lupito Nyong’o had to say. Check it out!
LN: “In a film like “12 Years a Slave,” race is of the utmost importance. But there are stories outside the race narrative that everyone can participate in. But we don’t. It’s about expanding our imagination about who can play the starry-eyed one.
We also have to ask ourselves what merits Oscar prestige. Often, they’re period stories. And for people of color, they end up being about slavery or civil rights. A blockbuster won’t do it. Do I have to be in a big Elizabethan gown?

We’re at this interesting moment when prejudice is in the subconscious a lot of the time. Where prejudice occurs before you’ve even had a conscious thought. The laws have changed, but now the battle is with the mind. And that’s much harder to get to.
And change only comes when the conversation is happening in all forms at all times. Not just one tactic is going to do it. It’s got to be a convergence.
My parents shielded us from a lot. It would be dangerous for us to know things because then we could be a target. So they raised us with a semblance of normalcy. There were times when we were under house arrest and couldn’t go to school. I knew we were in a different situation than my friends.

Even when things were out of sorts, my mother ran the house like always. You were in that bathtub at 6; you were in bed at 7. I remember my father being gone for long stretches when he was under house arrest. But I was optimistic enough to hold onto my mother’s saying, “He’ll be back.” I wasn’t allowed to lean into it.

I was always confident, but I shed my tears. They told me I was too dark for TV. But I came to accept myself. And a lot of that had to do with Alek Wek, the way she was embraced by the modeling industry. Oprah telling her how beautiful she was. I was like, “What is going on here?” It was very powerful. Something in my subconscious shifted. That’s why this conversation is so important — because it burns possibility into people’s minds.
I used to be teased and teased. They called me whack mamba, awful names.
 Now they act like we’ve had it easy all our lives. I can’t help that my face fixed itself.
 You know what I gained? Compliments never grow old. They’re delightful every time.

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